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                                            <image:caption>&lt;span style=&quot;color: rgb(237, 0, 0); --font-scale: 1.26; line-height: 0.5;&quot;&gt;Cat Risograph Prints &lt;/span&gt;&lt;br /&gt;
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            <url>
                        <loc>https://minafujii.com/portfolio-1</loc>
            
            
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                        <loc>https://minafujii.com/top-nav-(mobile)-copy-copy-1</loc>
            
            
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            <url>
                        <loc>https://minafujii.com/portfolio</loc>
            
            
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                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;--font-scale: 2.2; line-height: 0.5;&quot;&gt;interactive&lt;/h1&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;--font-scale: 2.2; line-height: 0.5;&quot;&gt;interactive&lt;/h1&gt;&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2762087896037723195444564567270/IMG_0309.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;line-height: 0.5; --font-scale: 2.2;&quot;&gt;drawing&lt;/h1&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;line-height: 0.5; --font-scale: 2.2;&quot;&gt;painting&lt;/h1&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;--font-scale: 2.2; line-height: 0.5;&quot;&gt;sculpture&lt;/h1&gt;&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2762094657415062252575066137830/IMG_9366.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;--font-scale: 2.2; line-height: 0.5;&quot;&gt;printing&lt;/h1&gt;&lt;/div&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://minafujii.com/drawing</loc>
            
            
            <lastmod>2026-02-16T04:06:09+00:00</lastmod>
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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Morning Market (2025) NFS&lt;br /&gt;
&lt;/span&gt;colored pencil, gelli print, acrylic marker&lt;br /&gt;16.5” x 13”&lt;br /&gt;








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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Morning Market (2025) NFS&lt;br /&gt;
&lt;/span&gt;colored pencil, gelli print, acrylic marker&lt;br /&gt;16.5” x 13”&lt;br /&gt;








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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Love Language (2025) NFS&lt;br /&gt;&lt;/span&gt;cardboard, acrylic paint, acrylic marker, Colored pencil, Gelli print, plastic fruit packaging, notebook paper, soft pastel&lt;br /&gt;
14” x 14” &lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;Love Language depicts an abstracted form of language that I view as a way to communicate with my grandparents. Even though I can not speak Vietnamese with them, they always send boxes of the fruit that I love, which I view as their way of showing affection in lieu of verbal communication. Utilizing cardboard as a canvas, the work includes drawings of wax apples, persimmon, and dragonfruit in varying styles.&lt;/span&gt;

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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Dissonance (2024) &lt;br /&gt;
&lt;/span&gt;colored pencil&lt;br /&gt;
21” x 14”

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                    <image:loc>https://freight.cargo.site/t/original/i/M2762166756163786208957075793126/IMG_8150.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Portrait of Naya (2025)&lt;/span&gt;colored pencil, acrylic marker, gelli print, notebook paper&lt;br /&gt;
24” x 18” 



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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Cat Sketchbook Spread (2025)&lt;br /&gt;
&lt;/span&gt;pen on paper

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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt; Nostalgia (2024) NFS&lt;br /&gt;
&lt;/span&gt;  graphite on paper&lt;br /&gt; 
24” x 18”
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        </url>
            <url>
                        <loc>https://minafujii.com/interactive</loc>
            
            
            <lastmod>2026-02-16T04:06:09+00:00</lastmod>
            <changefreq>always</changefreq>
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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Immigration Zoetrope (2024) NFS&lt;br /&gt;
&lt;/span&gt;cardboard, acrylic paint, acrylic marker, colored pencil, maps of USA, magazine, lazy susan&lt;br /&gt;
9” x 12” x 12”&lt;br /&gt;&lt;span class=&quot;jjj&quot;&gt;The Immigration Zoetrope translates processes of cultural assimilation and syncretism into visual elements. The interior of the hollow cylinder shows an animation of two different shapes combining and creating something new. This portrays cultural syncretism, when two cultures interact and form a new, distinct culture. The exterior of the zoetrope consists of layered collage, with various colored dots dispersed, the dots representing distinct cultures present in America. I used maps and pictures depicting American life (American football, picnics) to clearly establish the setting of the processes that I illustrated. As the zoetrope is spun, the exterior colored dots all blur into the same red as the background, showing the encompassing and erasing nature of assimilation in America. The cardboard mechanism itself is a representation of time, and as it is spun clockwise, the animation, and thus the processes, can occur correctly.&lt;/span&gt;
&lt;br /&gt;

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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Calendar of Inevitability (2024)&lt;br /&gt;&lt;/span&gt;acrylic marker, acrylic paint, watercolor, gelli print&lt;br /&gt;
9” x 12”&lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;With this piece, I challenged myself to imitate the feeling of loss of memory with design choices. The result was an abstracted calendar, split into the four stages of life: infantile, childhood/teenage, adulthood, and seniority. I experimented with mixed media, using a fluid watercolor shape to represent a person’s mind, and contrasting it with a solid background of acrylic paint. As the calendar progresses through its stages in time, the “mind” form changes shape and colors accordingly. The first page has bright, saturated colors to show the livelihood and curiosity of a child. In contrast, the last page has a thinner, paler shape to show the lesser capacity of an older person to hold memories. This process of decay aligns with the decay of culture. As a person grows older, the customs they can preserve while being far from a place of origin are only those which they remember. Thus, as memory deteriorates, so can culture.&lt;/span&gt;

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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;My (Our) House&lt;br /&gt;
&lt;/span&gt;foamcore, maps of USA, colored pencil, acrylic paint&lt;br /&gt;9” x 8” x 3.5” &lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;Where can evidence of cultural intersections in America be found? My (Our) House is a distorted recreation of my own home and room, where I see the convergence of the Japanese, Vietnamese, and American aspects of my life represented in food, objects, decorations, and hobbies. My favorite details in this interactive model are the spaghetti eaten with chopsticks, a picture of my brother and I celebrating Halloween, Chinese good luck decorations, and stuffed animals I cherished as a child.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Natural Process (2025) &lt;br /&gt;
&lt;/span&gt;clay, underglaze&lt;br /&gt;
2” x 7” x 7”&lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;&lt;span style=&quot;letter-spacing: 0px;&quot;&gt;Natural Process responds to the idea that the immigrant population in America is one of the main causes of its downfall. Many encourage mass deportation of America’s immigrant population, but they fail to realize that all aspects of the country depend on immigrants; the foundation of the country itself was built by this population. The bowl, representing America, is detailed with amorphous shapes of different sizes and colors. The constant interaction between diverse cultures results in individuals with complex cultural backgrounds, hence each shape comprising multiple colors. &lt;/span&gt;&lt;span style=&quot;letter-spacing: 0px;&quot;&gt;The bowl requires interaction for the concept to be demonstrated as intended. As the three marbles, figuratively three distinct cultures, enter the bowl, gravity situates them in the center. Immigrants, when entering the country, are naturally integrated into the complex cultural landscape. The only way for the marbles, the cultures, to exit the bowl is to tip the bowl on its side and push them out through the holes. When immigrants are forcibly removed from the country, the balance of the country is completely disrupted.&lt;/span&gt;&lt;/span&gt;
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        </url>
            <url>
                        <loc>https://minafujii.com/painting</loc>
            
            
            <lastmod>2026-02-16T04:06:09+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2762187122568281949093180712166/IMG_9292.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Start Anew (2026)&lt;br /&gt;
&lt;/span&gt;acrylic paint, gelli print&lt;br /&gt;
40” x 30” &lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;What is the fate of future generations in understanding their heritage? I see myself as part of a generation that is descending towards cultural homogeneity, almost reminiscent of how European groups in early American history led to the development of American white populations. The populations we give birth to will be born from these conditions, and being composed of so many cultures, are uniquely responsible for creating their own traditions that are based on their life experiences rather than their cultural ties. Is it our obligation, as audiences and participants of this process, to actively work to reconnect with our heritage in order to pass it on to future generations?&lt;/span&gt;
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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Anchorless&lt;/span&gt;acrylic paint, acrylic marker, paper&lt;br /&gt;
18” x 24” &lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;Anchorless is my representation of the feeling of overstimulation or being overwhelmed, communicated by texture and pattern. I wanted to portray how America’s saturated diversity can lead to a lack of concrete identity through my own lens. The figure in the painting is viewing an amalgam of places, an image I synthesized from different photos of Vietnam and Japan. These countries are all places I have cultural connection to, yet I feel completely separate from them simultaneously, being fundamentally American. The connection between the circular pattern on the figure’s back and the pattern on the outside of the dome create an effect of the figure fading into the background, portraying a lack of self as a result of an environment. The vague and abstracted details of this painting allow it to speak to universal experiences while also being a direct reference to my own perspective.&lt;/span&gt;

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                    <image:loc>https://freight.cargo.site/t/original/i/W2762193820747075809694758446310/IMG_3318.jpeg</image:loc>
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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Untitled (2024) NFS&lt;br /&gt;
&lt;/span&gt;drawing board, acrylic paint, ceramic stucco, wooden dowels&lt;br /&gt;

27” x 23” x 1”&lt;br /&gt;
&lt;span class=&quot;jjj&quot;&gt;How reliable is oral tradition as a method of passing down traditions and culture through generations? For this work, I had my parents each write me a letter about a significant childhood memory. The emotions and details that I remembered were illustrated on a small square panel. Afterwards, I read the letter myself, and illustrated larger panels based on the full story. When the two pieces are combined, the difference between them speaks to how much of history and stories of lineage can be manipulated and even lost as they are passed through oral tradition.&lt;/span&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://minafujii.com/sculpture</loc>
            
            
            <lastmod>2026-02-16T04:06:09+00:00</lastmod>
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                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Found Object Sculpture&lt;/span&gt;cardboard&lt;br /&gt;64” x 20” 

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                    <image:loc>https://freight.cargo.site/t/original/i/V2762211921411783952381476578534/IMG_8289.jpeg</image:loc>
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        </url>
            <url>
                        <loc>https://minafujii.com/printing</loc>
            
            
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        </url>
            <url>
                        <loc>https://minafujii.com/shop</loc>
            
            
            <lastmod>2026-02-16T04:44:23+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://minafujii.com/top-nav-(mobile)-copy-copy-1-copy-1</loc>
            
            
            <lastmod>2026-02-16T04:14:17+00:00</lastmod>
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            <url>
                        <loc>https://minafujii.com/shop-1</loc>
            
            
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